Aqualung - The Official Jethro Tull Website

Aqualung

" Aqualung," to many, is Tull's masterpiece. The title track and "Locomotive Breath," with their catchy riffs, would be joined by "My God," "Cross-Eyed Mary," and "Hymn 43" as classic rock staples. There's no arguing with its commercial success, having sold more than seven million copies and continuing to outsell anything in the back catalog.

from left: Martin Barre, Clive Bunker, Jeffrey Hammond, Ian Anderson, John Evan. Photo by Barry Plummer. All Rights Reserved. Yet, "Aqualung" is arguably Tull's most misunderstood album. Critics dubbed it a concept album, particularly for Anderson's critical, skeptical views of organized religion, mostly on side B ("My God"). Anderson has disputed, almost resented, the assessment seeing the record as "just a bunch of songs." The labeling lead the band to really give the critics a concept album with the following studio release "Thick as a Brick."

"Aqualung" has a dominant theme but is certainly more, much more, than a concept album hindging on a solitary subject. Anderson explores the struggles of the less fortunate in our society (e.g., "Aqualung," "Cross-Eyed Mary," "Up to Me"), teenage angst and formal education difficulties ( e.g., "Wind Up," "Mother Goose"), and returns to his parental themes with "Cheap Day Return, a tune encompassing Anderson's feelings while traveling to visit his sick father.

"Aqualung" also cemented the exaggerated image, especially to those only casually acquainted with the band, that Tull was a "heavy rock" group. Years later, a Grammy for best heavy metal album (viz., "Crest of a Knave") would officially sanction the misconceived stereotype. Yet, "Aqualung" is where Anderson really begins to develop his personal style for acoustical guitar songs with "Cheap Day Return," "Mother Goose," and "Slipstream."

"Aqualung" did establish one of the most notable features of Tull's music: songs varying with intensity, mixing medium to heavy electrical sounds with lighter acoustical passages (e.g., "Aqualung," and "My God"). Indeed, every album up to "Under Wraps" (1984) would have at least one such styled number.

At the end of a brief U.S. tour, drummer Clive Bunker left to get married and form a band called "Jude" with Robin Trower. Anderson recruited Barriemore Barlow. Barlow remained drummer for the next eight years.

Released: 1971
Remastered special edition (extra tracks), 1996; DCC Gold Disc 1997

Charts: 4 (U.K.), 7 (U.S.)

Aqualung
Cross-Eyed Mary
Cheap Day Return
Mother Goose
Wond’ring Aloud
Up To Me
My God
Hymn 43
Slipstream
Locomotive Breath
Wind-Up
Lick Your Fingers Clean*
Wind-Up (quad version)*
Excerpts from Ian interview
Songs for Jeffrey*
Fat Man*
Bouree*

The first two verses of "Aqualung" were cowritten with Anderson's first wife.

"Hymn 43" became the first Tull single released in the U.S.

"Aqualung," the song, got its name from the gurgling sound of underwater diving gear which Anderson felt described the wheezing of the song's character. Anderson did not know that "Aqualung" was a trademark and not a generic phrase (the issue was settled quite amicably).

The cover, with "Aqualung" bearing an all too close likeness of Anderson, is one of Ian's least favorites. Yet, it set a precedent for future Tull characters being pictured as "Ian-like" including Ray Lomas from "Too Old to Rock and Roll" and the covers of "Songs from the Wood" and "Stormwatch."