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Tull Releases Acoustic CD and Back Catalog on iTunes®

Tull is happy to announce the long-awaited availability of their tunes for digital download beginning Monday, March 19th. If that wasn't enough great news, Tull is concurrently releasing a new acoustic collection. Details below in this EMI release including Ian's liner notes and a track listing.


Jethro Tull

Ian's Liner Notes

Having been, for some 39 years, the “unplugged” guy in what is generally perceived as a Classic Rock band, it seems only natural to finally focus on some of that body of work representing the acoustic side of Jethro Tull.

Many of the songs and instrumentals we have recorded over the years feature acoustic instruments alongside their electric brethren. The song Aqualung, for example, includes extended acoustic sections delicately poised in the midst of rock riff mayhem, while on the Thick As A Brick album, there are several interlaced passages of acoustic guitar-led meanderings.

Mandolins, bouzoukis, balalaika, mouth organ, acoustic piano, harpsichord, accordion, celeste, glockenspiel, marimba, bongos, tabla, assorted kit drums and percussion, the dreaded saxophones, solo violin, acoustic bass and the perhaps more obvious flutes and whistles have all made their mark on the Tull and Ian Anderson back catalogue. And recently, as well as historically, many instruments of the symphony orchestra have joined the happy throng to add their broader, grander colours to my songs.

Oh, what fun! And what a lot of tuning up. No simple “re-tune” button to press or happily stable fixed-pitch, sample-based, keyboard-initiated arsenal of musical weaponry here. Just the painstaking micro-adjustments of wire on wood, lip-twisting embouchures and due attention paid to temperature, humidity, cleaning rags, spit and polish.

But what you get from the end result: living, breathing and REAL music played by more-or-less living, breathing real people. No two performances ever the same. No tiring of sonic repetition. No such thing as a perfect take. Just varying degrees of organic, gutsy-feely, almost-nailed-it approximation.

In an age of computer-driven, sampled mathematical timing and execution, the subtle slipping and sliding of humanly-executed music from fretboard and keyboard are still what excites me the most in music. The flute, like the violin, is never going to be perfectly in tune. But the induced expression, vibrato, tone colours and dynamics are what make it all come alive.

Here, on this compilation of Jethro Tull and Ian Anderson music, you will find a variety of styles, tempos and moods, presented in a chronological order. OK, train spotters – Jack Frost was recorded in 1982, but not released until 1988.

I have tried to pick out some of the obvious and more audience-friendly songs as well as putting in some of my personal and more obscure favourites. I started off with a pretty large list and then whittled, chiselled and hacked away with regret.

I often think that what makes Jethro Tull different to most other bands over the years is the frequent use of such an array of acoustic instrumentation. Yes, my flute has been the obvious symbol and trademark of the band identity, but it goes so much further than that. The dynamics and juxtaposition of electric with acoustic has been the inspiration for these five decades of humble fumbles. The hushed playing of an old Martin guitar or whispered flute in many a hotel and motel room (lest I annoy my fellow guest and weary traveller) seemed then and now so simple and natural. No amps to plug in, no cables to uncoil, no dials and controls to set to navigate to the heart of the sun. Musical sex without the condom. Nothing to self-consciously prepare or to disturb the moment.

Now, in cybermusic-land, I can cut, copy and paste with the best and worst of them when I have to but there really, really isn’t anything quite as satisfying picking up the acoustic guitar or flute and just playing the damn thing. Tape running. Record light on. Pale reflected face in the studio control room window. That’s this album, top to tail, through and through.

And it goes without saying that the excellent assortment of band members and other musicians who you will find here probably felt the same way too.

Ian Anderson
January 2007

Track Listing

Title Album year

Fat Man Stand Up 1969
Life Is A Long Song Living In The Past 1972
Cheap Day Return Aqualung 1971
Mother Goose Aqualung 1971
Wond’ring Aloud Aqualung1971
Thick As A Brick (intro) Thick As A brick 1972
Skating Away on ….. Warchild 1974
Cold Wind ToValhalla (intro) Minstrel In The Gallery 1975
One White Duck/0 power ten Minstrel In The Gallery 1975
Salamander Too Old To Rock & Roll 1976
Jack In The Green Songs From The Wood 1977
Velvet Green Songs From The Wood 1977
Dun Ringill Stormwatch 1979
Jack Frost And…… 20 Years Anniversary 1988
Under Wraps 2 Under Wraps 1984
Jack-A-Lynn 25th Anniversary 1993
Someday The Sun Won’t Shine For You 25th Anniversary 1993
Broadford Bazaar Night Cap 1994
The Water Carrier The Secret Language… 2001
Rupi’s Dance Rupi’s Dance 2003
A Christmas Song The Jethro Tull Christmas Album 2004
Weathercock The Jethro Tull Christmas Album 2004

Plus live bonus tracks

One Brown Mouse Re-recorded January 3.36 2007
Pastime With Good Company Live, Denmark 4.14 2006

List of Musicians

Ian Anderson Flute, acoustic guitars, mandolin, percussion
Martin Barre Acoustic guitar (and one or two electric moments…)

With, in chronological order of appearance:

Clive Bunker Percussion
Jeffrey Hammond Bass guitar
John Evans Piano and accordion
Barriemore Barlow Drums, glockenspiel and percussion
John Glascock Bass guitar
David Palmer Keyboards and portative organ
Dave Pegg Bass guitar, double bass and mandolin
Peter Vettese Keyboards
Gerry Conway Drum
Doane Perry Drums
Andrew Giddings Keyboards
Jonathan Noyce Bass guitar
David Goodier Bass guitar and double bass
James Duncan Drums and percussion
John O’Hara Keyboards and accordion
Ann Marie Calhoun Violin


 
Order Online from:

Amazon® USA

Amazon© UK



> Ian's liner notes
> Track listing

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